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America the Beautiful. " America the Beautiful " is a patriotic American song. Its lyrics were written by Katharine Lee Bates and its music was composed by church organist and choirmaster Samuel A. Ward at Grace Episcopal Church in Newark, New Jersey. [ 1] The two never met.
Phrygian dominant scale. In music, the Phrygian dominant scale is the fifth mode of the harmonic minor scale, the fifth being the dominant. [ 1] Also called the altered Phrygian scale, dominant flat 2 flat 6 (in jazz), or Freygish scale (also spelled Fraigish [ 2] ). It resembles the Phrygian mode but with a major third, rather than a minor third.
Although the enharmonic key of A-flat major is preferred because A-flat major has only four flats as opposed to G-sharp major's eight sharps (including the F), G-sharp major appears as a secondary key area in several works in sharp keys, most notably in the Prelude and Fugue in C-sharp major from Johann Sebastian Bach's The Well-Tempered Clavier, Book 1.
I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1 ...
The harmonic minor scale (or Aeolian ♯ 7 scale) is a musical scale derived from the natural minor scale, with the minor seventh degree raised by one semitone to a major seventh, [ 2][ 3][ 4] creating an augmented second between the sixth and seventh degrees. Thus, a harmonic minor scale is represented by the following notation: A harmonic ...
Dominant seventh chords are often built on the fifth scale degree (or dominant) of a key. For instance, in the C major scale, G is the fifth note of the scale, and the seventh chord built on G is the dominant seventh chord, G 7 (shown above). In this chord, F is a minor seventh above G. In Roman numeral analysis, G 7 would be represented as V 7 ...
The key note, or tonic, of a piece of music is called note number one, the first step of (here), the ascending scale iii–IV–V. Chords built on several scale degrees are numbered likewise. Thus the chord progression E minor–F–G can be described as three–four–five, (or iii–IV–V). A chord may be built upon any note of a musical scale.
6–34. In music, the mystic chordor Prometheus chordis a six-note synthetic chordand its associated scale, or pitch collection; which loosely serves as the harmonicand melodicbasis for some of the later pieces by Russian composerAlexander Scriabin. Scriabin, however, did not use the chord directly but rather derived material from its ...
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