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America the Beautiful. " America the Beautiful " is a patriotic American song. Its lyrics were written by Katharine Lee Bates and its music was composed by church organist and choirmaster Samuel A. Ward at Grace Episcopal Church in Newark, New Jersey. [ 1] The two never met.
[4] The song is set in signature common time and written in the key of G minor. It features a basic chord progression of Gm-Cm-D7-Gm. [ 5 ] Carey's vocal range in the song spans from the low note of B 2 to the high note of F 5 , with the piano and guitar pieces range from G ♭ 3 to G ♭ 5. [ 5 ]
Phrygian dominant scale. In music, the Phrygian dominant scale is the fifth mode of the harmonic minor scale, the fifth being the dominant. [ 1] Also called the altered Phrygian scale, dominant flat 2 flat 6 (in jazz), or Freygish scale (also spelled Fraigish [ 2] ). It resembles the Phrygian mode but with a major third, rather than a minor third.
In Baroque music, G major was regarded as the "key of benediction". [1] Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of 6 8 chain rhythms", according to Alfred Einstein, [2] although Bach also used the key for some 4
The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [ 1] It resembles the Roman numeral [ 2] and figured bass systems ...
The chord structure is in the key of F with an A major chord "borrowed" from the D minor scale, [9] similar to fellow album track "All the Madmen". [10] Throughout the song, Visconti's bass "runs scales" under the chorus and a melody "elsewhere", Woodmansey plays "ecstatic" drum fills deep in the mix and Latin-style percussion "trembling" on ...
In Western tonal music, the simplest and most common type of modulation (or changing keys) is to shift from one major key to another key built on the first key's fifth (or dominant) scale degree. In the key of C major, this would involve moving to the key of G major (which uses an F ♯). Composers also often modulate to other related keys.
A minor seventh would be added to the dominant "V" chord to increase tension before resolution (V 7 –i). The roots of the chords belong to a modern phrygian tetrachord (the equivalent of a Greek Dorian tetrachord, the latter mentioned above), that is to be found as the upper tetrachord of a natural minor scale (for A minor, they are: A G F E).
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related to: free america the beautiful chords in the key of g guitar scale chart