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Long Term Effects of Suffering track listing; No. Title Length; 1. "Degeneration in the Key of A Minor (prod. by Budd Dwyer)" 2:08: 2. "If Self-Destruction Was an Olympic Event, I'd Be Tonya Harding (prod. by Budd Dwyer)"
Keep Searchin' (We'll Follow the Sun) " Keep Searchin' (We'll Follow the Sun) " is a song written by the American rock-and-roll musician Del Shannon. It was written, recorded, and released in 1964. [1][2] The song is in the key of A minor. [1] Its lyrics tell the story of a man who tries to find a place to hide himself and his beleaguered ...
The chord structure, melody, and lyrics are all completely different. Brel's song was written in the key of A minor, in 3/4 time. It is a slow, haunting story of a man trying to win back his former lover—a song about the cowardice of men according to Brel. [1] In contrast, Spektor's song is lively, in 4/4 time, and in a major key.
Uni (US) DJM (UK) Songwriter (s) Elton John & Bernie Taupin. Producer (s) Gus Dudgeon. " Come Down in Time " is the second track on Elton John 's third album, Tumbleweed Connection, released in 1970. The lyrics were written by Bernie Taupin, Elton's long time writing partner. The song was originally recorded for John's second album, Elton John.
The song was written in the key of A minor. [2] It is driven by an acoustic guitar line with layers of electric guitar (both rhythm and lead), electric bass guitar, and sung by Lake, with some backing on drums (played by Carl Palmer with congas, tympani mallets and without cymbals), and with a distinctive closing synthesizer solo from Keith Emerson, accompanied by overdubbed synthesizer sounds.
Music video. "While My Guitar Gently Weeps" on YouTube. " While My Guitar Gently Weeps " is a song by the English rock band the Beatles from their 1968 double album The Beatles (also known as the "White Album"). It was written by George Harrison, the band's lead guitarist, as an exercise in randomness inspired by the Chinese I Ching.
The song is in the key of A minor and is played around 103bpm [3]. Over two riffing guitars, vocalist Rob Halford screams in falsetto , alongside a simple bassline that mainly holds down the root notes and somewhat flashy drumming that often revolves around a steady 16th note double-kick pattern as the backbone of the whole rhythm section, as ...
The song is in the key of A minor. [8] It incorporates a powerful eight bar guitar solo by Police guitarist Andy Summers, one of his few solos on Zenyatta Mondatta. [2] [9] Author Erica Starr has described Stewart Copeland's drum playing on the song as "jerky" and "syncopated" but that the beats "float around with great ease," noting that the song has "tremendous energy and forward momentum."