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Kuleshov effect. The Kuleshov effect is a film editing ( montage) effect demonstrated by Russian film-maker Lev Kuleshov in the 1910s and 1920s. It is a mental phenomenon by which viewers derive more meaning from the interaction of two sequential shots than from a single shot in isolation.
Drawings of humans were rare and are usually schematic as opposed to the more detailed and naturalistic images of animal subjects. Kieran D. O'Hara, geologist, suggests in his book Cave Art and Climate Change that climate controlled the themes depicted. [29] Pigments used include red and yellow ochre, hematite, manganese oxide and charcoal.
The drawing is related to the painting W37. The Raising of the Cross. 1628-1629. Black chalk, heightened with white, framing lines in pencil and with the pen and brown ink. 19.3 x 14.8 cm. Museum Boijmans Van Beuningen, Rotterdam. The drawing is related to the painting W106. Two Sitting Figures. c. 1628-1629.
The art of painter and engraver Émile Frédéric Nicolle, his maternal grandfather, filled the house, and the family liked to play chess, read books, paint, and make music together. Of Eugene and Lucie Duchamp's seven children, one died as an infant and four became successful artists. Marcel Duchamp was the brother of:
Gibson Girl. The Gibson Girl was the personification of the feminine ideal of physical attractiveness as portrayed by the pen-and-ink illustrations of artist Charles Dana Gibson during a 20-year period that spanned the late 19th and early 20th centuries in the United States. [ 1] The artist saw his creation as representing the composite of ...
Polish children street painting. Art by a three-year-old girl. Child art is the drawings, paintings, or other artistic works created by children. The term was coined by Franz Cižek in the 1890s. The art of each child reflects their level of self-awareness and the degree to which they are integrated with their environment.
The Vitruvian Man ( Italian: L'uomo vitruviano; [ˈlwɔːmo vitruˈvjaːno]) is a drawing by the Italian Renaissance artist and scientist Leonardo da Vinci, dated to c. 1490. Inspired by the writings of the ancient Roman architect Vitruvius, the drawing depicts a nude man in two superimposed positions with his arms and legs apart and inscribed ...
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