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Ænima (/ ˈ ɑː n ɪ m ə / AH-ni-mə) [6] is the second studio album by the American rock band Tool.It was released in vinyl format on September 17, 1996, and in compact disc format on October 1, 1996, [1] [2] [7] through Zoo Entertainment.
Opiate is an EP by the American rock band Tool. It was produced and engineered by Sylvia Massy and Steve Hansgen. Released in 1992, it was the result of two years of the band playing together after their formation in 1990. Opiate preceded Tool's first full-length release, Undertow, by a year.
"H." is a song by American rock band Tool. The song was released as the second single from their second album, Ænima on March 19, 1997. "H." reached number 23 on the US Mainstream Rock Tracks chart. [2] The working title for the song was "Half Empty", and thus "H." most likely stands for that or "Half Full". [3]
Schism" is a song by American rock band Tool. It was the first single and music video from their third full-length album, Lateralus. In 2002, Tool won the Grammy Award for Best Metal Performance for the song. [2] "Schism" was released as a DVD single on December 20, 2005. The DVD contains the music video, audio commentary by David Yow, and a ...
Paul D'Amour (born May 12, 1967) is an American musician and was the first bassist for Tool. [1] His bass sound is recognized by the aggressive picked tone he developed with his Chris Squire Signature Rickenbacker 4001CS, which can be heard on Tool's first full-length album, Undertow.
Individual songs are usually priced at either US$1.99/€1.49/£0.99, or US$1.00/€0.75/£0.59, with a few exceptions priced at £1.19 or £1.49/€1.99; [16] all are available for download through PlayStation Network, Xbox Live and the Wii's online service unless otherwise noted on the list below.
"Sober" is a song by American rock band Tool.The song was released as the first single from their debut studio album, Undertow.Tool guitarist Adam Jones has stated in an interview that the song is about a friend of the band whose artistic expression only comes out when he is under the influence.
The song is known for its distinct time signatures and corresponding lyrical patterns. The time signatures of the chorus of the song change from 9/8 to 8/8 to 7/8; as drummer Danny Carey says, "It was originally titled 9-8-7.