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Faith, Hope, and Carnage is a 2022 book by Australian rock musician Nick Cave in conversation with Irish journalist and critic Seán O’Hagan beginning in 2020. The book explores Cave's personal life and journey as a musician, including the 2015 death of his son Arthur, Cave's battle with heroin addiction, and lifelong struggle with Christianity .
You is an American psychological thriller television series based on the books by Caroline Kepnes, developed by Greg Berlanti and Sera Gamble, and produced by Berlanti Productions, Alloy Entertainment, and A+E Studios in association with Warner Horizon Television, now Warner Bros. Television.
It was both, of course, as the event he was leading was sponsored by Netflix and at least ostensibly in the service of promoting discussion about “Jeen-yuhs: A Kanye Trilogy,” the three-part ...
Annoyed with the gendered nature of the French language, Emily writes a post about the product, which goes viral, causing her to make further inroads at work. Emily's boyfriend tells her that she should return to Chicago as he struggles with a long-distance relationship, and he does not want to visit Paris despite it being a pre-planned trip.
So "with these words and many more like them, Jesus urges us to look toward the future without fear but with faith.". The focus on hope, he said, is "very, very helpful, I think, in that we can ...
Elizabeth Stone is Netflix’s chief technology officer, overseeing a global team of about 3,000 at the streaming giant. The technology group touches every part of Netflix — spanning not just ...
Bad Faith: Christian Nationalism's Unholy War on Democracy is a 2024 American documentary film directed by Stephen Ujlaki and Chris Jones. The film explores the rise of Christian nationalism in the United States and its opposition to American democracy, and the historic role of Christian nationalists in the conservative movement, beginning with Paul Weyrich and Jerry Falwell in the Moral ...
“Really hope this doesn’t become a trend – won’t be able to tell what’s real and what’s fake anymore.” “I’m not looking at that for three hours,” said another of the digitally ...